It looked just like he was naked." Looking at Maui now, it's hard to imagine him without his hair.
The mana is in the hair, the power of the demigod. Hinano Murphy, one representative of the Trust, told Vanity Fair that his immediate reaction to the proposed Maui was, "We have to put more hair on Maui's head because it's very important. In his original design, Maui was bald - and this was a big problem. What most of the internet didn't know was that when it came to Maui's appearance, the filmmakers had already dodged a bullet thanks to the cultural consultants of the film's Oceanic Trust. Animator Eric Goldberg explained some of the complexities of this to CBR, describing all the work that went into " flinching when Mini-Maui pokes him in the belly, or sending Mini-Maui stumbling when the demigod flexes his muscles." Mapping this 2D animation onto a changing 3D surface was tricky because as Maui's CG body moves around, they had to make sure the hand-drawn animation didn't get altered or elongated. The ultimate seamlessness of Maui's moving tattoos is the result of an innovative collaboration that represents the best of the old and the new. The interaction between the two really shows off the skill and creativity behind the scenes. The tiny tattooed Maui could prod him to do the right thing because, after all, Mini-Maui is who Maui really wants to be and how he really wants to see himself - grand and heroic, as well as funny. "Somewhere in the process, started to emerge, almost as a Jiminy Cricket alter ego the tattoo can't speak, but he can communicate with Maui," John Musker told The Hollywood Reporter. You're in the middle of the ocean, and you're wearing tuxedos." It was the kind of detail that would have made anyone familiar with the culture erupt into laughter in the theater, and it's thankfully nowhere near the finished product. One of the biggest gaffes the Trust prevented involved portraying Moana's voyager ancestors from appearing in too-formal headdresses and face paint while at sea, with Clements explaining, "It's like wearing tuxedos. Insights like this make "Moana" convincing and absorbing rather than infuriating or wince-worthy. For example, Vanity Fair recounts how anthropologist Dionne Fonoti pointed out that Moana would consider the coconuts too sacred for her to toss them around in a fit of temper.
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While no depiction is going to please everyone - The Guardian chronicled how Maui's physique, for example, drew both criticism and defense from Pacific Islanders - the Oceanic Trust did a lot of invaluable work to keep "Moana" in line with the culture it represents and free of any glaring inaccuracies.
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